The Awakening

awakening

Source: facebook.com/SavageUmbrella

I’ve been trying to find the words to describe Savage Umbrella’s The Awakening, playing now at the Southern. And I have to admit that I’m more or less lost for words.

This isn’t a new phenomena for me recently – more and more I’m finding it hard to discuss shows I’ve seen in an review or post. Part of that I think is due to pressures around me. And part of that is due to how do I, as an artist, discuss another artist’s work?
The Awakening has the added caveat of being a highly musical and visual piece, so much so that I can’t describe the experience because you simply need to see it. And while any show is like this, The Awakening, based off of Kate Chopin’s landmark novel of the same name, takes emotional moments and performs them through movement and musical styles. A novel which takes place primarily in the mind of its protagonist, the unhappy Edna Pontellier who desperately wants to break out of the fragile mold society has forced her into, it at first seems an impossible work to adapt to stage. However, it’s the perfect story to tell because it is so emotional and, with the waves of feminism we ride like waves on the sea, it once again feels very present and very live in our current culture. Though it deals with Victorian women and their yearnings, it contains a force that is still very much alive in the lives and minds of modern women.
With a marvelous ensemble of Emily Dussault, Nick Wolf, Amber Davis, Seth K. Hale, Alexis Clarksean, Mike Swan, Russ Dugger, Nathan Gebhard, Lauren Diesch, Nayely Becerra, Rachel Kuhnle, Tinne Rosenmeier, Aaron Henry, Eric Marinus, Thomas Ferguson, and Daniel Rovinsky, with music performed by Nic Delcambre, Carley Olson, and Alissa Ona Jacobsen, the world these performers create grips you and ensnares you. Edna’s life of leisure on Grand Isle which becomes a life caged in back in New Orleans becomes a portrait of a life that cannot be fully lived as long as one’s society does not fully accept you. In the middle of women’s history month and in discussions of current events, a play like this has never felt more important.
The Awakening is adapted and directed by Laura Leffler-McCabe and created by the Savage Umbrella ensemble, with music by Candace Emberley. It is playing now through March 18th at the Southern Theater. Tickets can be purchased on Savage Umbrella’s website.
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